Sound Design
Voice Overs
Composer
Casting and Coordination
Full Productions
Quality Sound Design.
From Copenhagen — delivered anywhere in the world.
WHAT I DO
Sound Design
Commercials, documentaries, feature films, TV and branded content. Educated at the National Film School of Denmark. Specialist in complex, high end productions.
Film & Direction
Thousands of commercials. 25 feature films. Hundreds of documentaries.
From Hollywood to Seoul. From Denmark to Dubai. I'm trained in directing actors in style, tone and tempo.
Music Composition
Original scores and songs across pop, rock, punk, afro, jazz, classical and cinematic. Online artists and collaborations from all countries.
Voice Overs
Voice over casting, coordination, coaching and production. All languages. From famous actors to Ai solutions and corrections. Quality follows the budgets.
AWARDS AND RECOGNITION
Gold, Silver, Bronze
Gold, Silver, Bronze
Gold
Gold, Silver, Bronze
Gold
Gold, Silver
Contributor to Oscar-nominated projects
Sound Design · Music Composition · Art Direction · Concept Design
ONLINE SOUND DESIGN
A studio in Copenhagen.
A sound designer anywhere in the world.
I work the way modern production should: fully remote, fully connected, and always online. My Pro Tools rig, mixers and control surfaces link directly to my studio in Copenhagen — so wherever I am, the room responds as if I´m present in it.
Voice-over artists and talent walk into the Copenhagen studio, and I take it from there. From my end I run the entire session: every fader and button, the recording, even the lights and the door.
Clients join live over Teams or Zoom, listen in, and direct in real time. Every voice-over is captured locally, in full studio quality —
nothing compressed, nothing lost.
I've worked this way for years, and the technology simply disappears. You won't sense that I'm somewhere
else — maybe at my farm south of Copenhagen. You'll just hear great sound, delivered on time, by someone
who's always available.
Remote by design. Always online.
VOICE OVER SCHOOL
Do you want to make a better living from your voice — or try voice over for the first time? This is an intensive weekend with everything you need to reach the next level: the technique behind a strong performance, how to work in the studio, and how to sell yourself as a voice talent.
For actors and speakers, new or experienced — you'll be met at exactly your level. You'll cover performance and studio psychology, style and articulation, client briefs and pricing, and microphone technique. Small groups, plenty of time in the booth, personal feedback.
You'll also leave with a professionally produced demo, ready to send to studios and producers. Every participant is added to my voice casting database, so you can be contacted for real jobs as soon as the course ends.
BACKGROUND
I started working in studios as a teenager — the day after I finished high school — and I've loved the work every day since. That early obsession took me to the National Film School of Denmark, where I trained as a Sound Designer, learning to build the invisible audio half of a film: the part an audience feels without ever noticing. Sound has been the through-line of everything since.
I've worked across film, TV, advertising, music and live performance — starting as a sound designer and composer, then expanding into direction, cinematography, editing and storytelling, because I've always been more interested in the whole picture than in any single craft. Thousands of commercials, feature films and documentaries later, that range is what lets me step into a production at any point and understand every seat in the room. For ten years I ran Freezone — a 2,000-square-metre post-production house in Copenhagen with a team of thirty, one of the country's serious rooms for sound and image. It was intense, all-consuming work.
The punk band Dansk Fløde started almost as a joke — a release valve from all that. Twenty-minute sets: plug in, play loud, smash the guitar, go home, and be ready for the studio the next morning. But the joke took on a life of its own. We signed a record deal in Japan, toured Japan, Africa, New York, Berlin, London and Buenos Aires, and ended up playing to 30 million people on South American television. Along the way I also contributed to Oscar-nominated projects.
And somewhere in all that noise, I realised it wasn't where my heart was headed. I missed seeing people dance, have fun, feel something positive. I wanted to make a difference in the world — a growing green ambition was pulling at me — and I wanted my music to carry the same top-professional, international sound-design DNA as the rest of my work.
Punk had given me the energy; now I needed a bigger, warmer, more purposeful sound. So, five years ago, I sold it all. It wasn't a retreat — it was a choice.
I wanted a lighter, more mobile life, built around the work and the people that mattered most rather than the walls around them. Selling it freed me to reinvent how I work — fully remote, fully connected, running world-class sessions from Copenhagen while I'm anywhere on earth. Somewhere along the way I also went looking for "the why" behind the craft.
Alongside an MBA, I trained for two years as a certified NLP Master Practitioner and Business Coach. Neuro-Linguistic Programming is the study of how language, behaviour and the mind interact — and combined with business coaching, it changed how I work.
It means I don't just create; I understand people. It shapes everything from how I direct a nervous voice-over talent into their best take, to how I craft climate stories built to move an audience to act. And in 2019, all of it — the sound, the music, the green ambition, the belief that a story can move people — came together in the project that has defined me ever since.
Bjorn Vido and the
Music in Space Experience
A global stage. A single vision
A five-year journey across every continent, and the clearest expression of everything I'd been building toward. It's a live cinematic concert, two albums and a documentary film, fusing music, film and climate storytelling into a single global experience. Part concert, part film, part call to action, built on one belief: that music has no borders, and neither does the planet we share.
What began in 2019 grew into something no artist had attempted before. The project reached all seven continents, carrying a single message about the planet from the world's biggest stages to its most remote and fragile places. Musicians and collaborators joined from every corner of the globe, each adding their own voice to a shared score — until the journey reached its furthest point of all: a live concert performed at the South Pole, and a climate resolution presented at the United Nations.
It's a scale of ambition that could only hold together with real backing. Music in Space drew support from heads of state, NASA astronauts and Academy Award-winning actress Jane Fonda — a rare coalition of science, art and leadership standing behind one vision. What connects them is simple: the belief that storytelling can move people to act where statistics alone cannot.
Now the work reaches its audience. The live show is touring, the Remixes album arrives in September 2026, and the documentary film follows in late 2026 — bringing the full story of Music in Space, from the first note to the South Pole, to audiences around the world.
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Documentary film coming End 2026.
